This article appeared in the Kansai Time Out monthly magazine in
September, 2002
Something A Little Different
Your
plans fall through on a Friday night and there is nothing to do but rent a
video. The video stores of Japan
have a large selection of films, but what do you do when you find a great film
you want to see from Vietnam or Iran since the Japanese subtitles provided will
be just as difficult for you to understand as the original languages, be it
Parsi, Farsi, Vietnamese or otherwise?
Well, you just sit down and watch it anyway! While a lot of non-English films are dialogue-based (the
French film _le Diner des Cons_, for example) and could send you to
sleep, other films tell simple stories and allow the viewer to travel
vicariously through the universal language of pure images to far off lands and
cultures. Here are a few foreign
films available in Japanese video shops that fit this bill –
international titles are listed first with Japanese titles (if any) in
brackets.
Asian
Films:
Children
of Heaven (Undogutsu to Akai Kingyo) is the simple tale of a poor
Iranian boy who accidentally loses his sisterfs shoes while on his
way back from the cobbler. Not only
does she love the shoes dearly, they are her only pair. The rest of the film shows how the
children hide this fact from their parents by sharing the brotherfs
shoes. This is possible due to the
fact that Iranian schools have boys study in the morning and girls study in the
afternoon. The apt Japanese title
is a sly reference to the clever, gorgeous ending to the film and translates as
grunning shoes and gold fish.h
The
Scent of Green Papayas (Aoi Papaya no Kaori) and Cyclo are two
of the early films of the celebrated Vietnamese director Anh Hung Tran. The Scent of Green Papapas shows
the life of a rich Vietnamese family in the 1940s through the eyes of a young
girl who enters the house as a servant worker. She falls in love with her young masterfs
friend, and after ten years when her employers suffer a reversal of fortune,
she goes off to work for that manfs family. The beauty of the film has nothing to do with plot, though,
since its magnetic attraction lies in the lush scenes of rain falling on
tropical plants in the housefs gardens, water dripping into buckets, and
voyeuristic views of the girlfs (fully clothed) bathing ritual –
clearly her most personal enjoyment.
Cyclo is a completely different film, offering a vision of modern
urban hell: it follows the life of a young cyclo driver as his cyclo is stolen
from him, as he goes to work with gangsters, observes and learns to out-trick
them, while at the same time amazing things happen all around him and various
lifelines are drawn together by fate.
And for the viewer, learning to understand what is happening in the film
through visual cues is an interesting act of voyeurism in itself. Hong Kong star (and Wong Jar-Wai acting
stalwart) Tony Leung has a cameo.
Swiri
(Shuri) is an action thriller set in Seoul, Korea. It involves a female operative from the
North on a terrorist mission to steal explosives, blow up a stadium in Soul,
assassinate the President. While
it may seem like a rehash of Hollywood thrillers of the past, primarily the
prototypical Black Sunday, the film has rhythm, momentum, and ultimately
reflects the frightening reality of two warring nations who are still lying in
a dangerous state of political stalemate as they have for nearly half a
century. The film is tense,
emotional, exciting, and the training-regimen-from-hell opener makes the famous
first third of Full Metal Jacket look more like Private Benjamin. It is also heartening to see the
blockbuster Korean film receive media attention in Japan, which has paved the
way for more Korean titles on the shelves.
Xiu-Xiu,
the Send-Down Girl (Shoo Shoo no Kisetsu) is the directorial debut
of actress Joan Chen, and it tells the tale of a beautiful victim. Xiu-Xiu is a city girl who is sent to
fight the Culture Revolution in the foothills of Tibet in rural Sichuan
Province where she is to live with a Tibetan shepherd and help him develop his
ranch. The shepherd was a faithful
revolutionary, but too wild for his own good: once running afoul of local
officials he was to be executed, but in the end was merely castrated. A calmer and lonelier man now, he
nurtures a strong platonic love for Xiu-Xiu and watches her with a quiet,
fatherly eye. Unfortunately the
tender, lonely girl also falls under the eye of corrupt local officials, and
her attempts to win favors with them backfires as she is used up and consumed
and left to rot in rural isolation.
Gorgeous cinematography of a harsh, beautiful, ancient land contrast with
young beauty and the loss of innocence in this lush, powerful film.
Away With Words (Kujaku)
is the gorgeous idyllic urban/rural tale of Hong Kong and Okinawa directed by
Christopher Doyle, also known as the cinematographer of the idyllic films of
Wan Jar-Wei. Doyle uses Asano
Tadanobu to tell the tale of a young Okinawan, awash on the shore of Hong Kong,
who becomes the permanent resident of a bar and karaoke lounge. Part Chungking Express, part Paris,
Texas, merely translating the dialogue will not help much in explaining the
challenging beauty of the film and its odd narrative.
Irma
Vep is an unusual work: filmed in Paris, but starring Hong Kong film queen
Maggie Cheung, it is about a failed French art film director trying to make a
film about a cat thief, which is in turn a tribute to silent film about
vampires from 1915 (les Vampires by Louis Feuillade). Irma Vep is about making a film,
but also about a Hong Kong starlet trying to understand French film politics,
deal with a French cast and crew, and understand her character. With a lot of gritty hand-held camera
effects, the film is in English with small amounts of French and
Cantonese.
For a bit of action relief
from minimalistic art films, there is always the art of the kung fu film. Jackie Chan movies such as City
Hunter, Nice Guy, and dozens of others, are always good for a jolt
of energy and a few laughs. Nearly
all of them contain jaw-dropping stunts, sleight of hand tricks and physical
comedy, as well as humility in spades as the international film star allows
himself to be beaten up, thrown about, and made a fool of. Some of his later films like Who Am
I? and Red Bronx are primarily in English, but donft
favor them over Cantonese-language classics like the Drunken Master (Sui
Ken) films, which are classics of the genre. Unfortunately, Jackie Chan still has his weak moments, like
the unbearable Gorgeous, which has a gorgeous female lead and absolutely
nothing else.
Another kung fu master is
Jet Li. His films tend to be more
serious than those of Jackie Chan, something that is absolutely necessary to do
justice to the incredible eye-popping fury of his superhuman kung fu
skill. Sure, some of it is tricky
camera work and special effects, but watching the real thing in action means
there can be no going back to the laughable chop socky of non-athletes like Tom
Cruise in Mission: Impossible 2 (which, ironically, was directed by John
Woo, the creator of more than just a handful of violent Hong Kong
classics). Jet Li has turned up in
Hollywood films like Romeo Must Die recently, which has few rewards
beyond the great opening scenes, so his must-see films are those with the
Cantonese dialogue, primarily the Once Upon A Time In China films where
he plays the historical character Huang Fei-Hong (also portrayed by Jackie Chan
in the Drunken Master films).
In the film Once Upon A Time In China And America, the sixth and
most recent film in the series, Li is a Chinese governmental representative
traveling in America on business when he falls victim of amnesia and is adopted
by a native tribe. It replicates
elements of other similar Jackie Chan films like Who Am I? (amnesia) and
the recent Shanghai Noon (Chinese bodyguard in the wild west), but when
the kung fu is nonpareil who actually needs a plot? It certainly makes a good film to have
running while entertaining friends, not least of all for the nasty villain who
looks like he stepped right off of Motorheadfs Ace of Spades
album cover.
Japanese
films:
Zatoichi
is a classic in the genre of Japanese sword films. The title character is a blind monk; dirty and spat upon;
few realize that he is in fact a sword master second to none. Besides that, hefs also got a
pretty mean temper! See Zatoichi
run afoul of some local bullies, then wipe the towns and forests with
them. A classic scene has Zatoichi
facing an ambush at night – he douses the lamp hefs carrying,
since hefs
blind and doesnft
actually need it, then picks off the attackers in the dark swiftly and
easily.
Picnic
is an early film by arty director Iwai Shunji, famous for his roaming epic Swallowtail
Butterfly, and shows the exploits of a young group of slackers, outcasts,
and mental outpatients. It is also
a tragic romance and features J-pop songstress Chara and a young Asano
Tadanobu. The couple later married
in real life.
Wild
Zero is a rock enf roll movie about
gthills, speed, and stupid zombies.h
Starring the boys from Guitar Wolf, set in Japan but (very obviously)
filmed in Thailand, the film is about a rag-tag group of rock enf
roll misfits and various psychopaths as they become stranded in the countryside
amidst an invasion of flesh eating zombies – donft
get bitten or youfll
become one too! The Guitar Wolves
race cool bikes and cars, are fully armed, and possess god-like powers –
all the better to carve a swath through the zombie hordes, leaving a long trail
of zombie guts and exploded heads.
Yum. Sassy black humor, a
great soundtrack, and a rip-off of a classic scene from one of the great movies
of 1992 (not saying which, though)!
Kikujiro
no Natsu (International title Kikujiro) is cult director Kitano
Takeshifs
most sensitive film in ages, showing him as the worthless slacker Kikujiro
accompanying a young boy on a quest to find the mother he hasnft
seen for years –
last he heard she was working in another prefecture. The film is anecdotal: we see the pair go to the bike races,
go to a shrine, hitch-hike on a deserted highway, and generally encounter
hurdle after hurdle. Funny,
touching, compelling, and a nice snapshot of rural Japan.
Jirai
wo Hundara, Sayonara, (One Step On A Landmine And Itfs
All Over) tells the true story of photographer Ichinose Taizo, played by
Asano Tadanobu. Taizo went to
shoot photos in Vietnam during the war, but eventually fell in love with
neighboring Cambodia and disappeared there on his quest to photograph the
Angkor Wat temple complex. The
filmfs
dialogue is mostly in English, with just a bit of Japanese and Khmer, and its
sad but true tale is easy to follow.
Already at that time the people of Cambodia were suffering from
widespread mining, and the title quote is Taizofs own. Cambodia to this day is still full of
mines that kill or maim civilians.
Somebody should find the irresponsible countries that produce these
mines and name them rogue states.
Hukuro
no Shiro (Owlfs Castle) is an exciting tale of Toyotomi
Hideyoshifs
crackdown on the secret ninja societies of 16th century Japan,
enraged that they were renegade and would not commit to any faction in warring times. Rivalry between the Iga and Shoga ninja
schools is also depicted. The film
itself is somewhat dialogue heavy, but the stunning special effects make up for
it, particularly the spectacular infiltration of Osaka castle on a mission of
assassination.
Disturbing
Asian Ultraviolence
Some
of Asiafs
most interesting films of the last few years have been bizarre and unique
horror films, which rarely follow the western horror stereotype of
slasher/satanic possession and work with other unique motifs and images
instead. Chinese Torture
Chamber is a bit of a wild card from the classic e90s era of Hong
Kong film: part Chinese moral tale, part judicial fantasy, part sadistic romp,
the film shows people wrongfully framed, then brought to trial and brutally tortured,
all along the lines of Chinese erotic classic novel the Golden Lotus. The film is no Silence Of The Lambs,
though, and does contain plenty of goofy tongue-in-cheek humor, although its
most (over-)indulgent scenes of graphic violence will certainly not be for the
faint-hearted.
Gonin
is the bleak tale of five nasty characters, fringe dwellers in Japanese
society, who decide to rip off the yakuza. Naturally, the heist goes wrong, and the five soon have to
face a heartless mob enforcer, played with cold fury by a particularly
vindictive Kitano Takeshi. As
tense as Reservoir Dogs, but ten times as bleak.
Uzumaki
is the odd, stylistically told tale of a town haunted by spirits that manifest
themselves in the forms of swirls and vortices – a curl of hair, a
whorl in a cloud, a snail shell, even in fingerprints and the cochlea of the
human ear! The film is episodic
and there is no real plot, but it is interesting to keep a lookout for the uzumaki
and where it will appear next.
Very stylish, creative, and way cool! Based on the stories of manga creator Ito Junji, as
are the films Tomie (Replay), and Kubi Tsuri Kokyu (literally
gDismembered Head-Balloons).
Hakyo
suru kuchibiru (Crazy Lips) tells the tale of a cursed family: their
father was an executed serial killer, and their brother is now wanted in
another string of recent murders.
They resolve to find the true killer and clear their brotherfs
name by hiring a psychic. Bad move
- the psychic turns out to be the sleaziest con artist in Japan, and with her
sadistic assistant they brutally terrorize the long-suffering family. When the killer is finally found, a
particularly bloody confrontation with the victimsf families
ensues. Of particular note in this
film is the main actress, who bears an uncanny resemblance to Winona
Ryder!
Finally,
semi-legendary 12th century prince Minamoto Yoshitsunefs
battle with warrior monk Benke is depicted in the film Gojo Reisenki. While the film itself is oddly
uncompelling and drags terribly, there is something gutsy about the film-makerfs
endless depiction of the near-invincible Minamoto carving bloody swathes
through his Heian enemies aided only by two trusty assistants. Blood-drenched far beyond any attempt
at realism.
The
video stores in Japan are stocked with plenty of worthy films, neither in
English or with English subtitles, but among them are a few interesting
treasures that should not be passed over due to language barriers. Take a chance, rent a non-English
video, and learn to understand the language of images that film was made
for.